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TERRY EDWARDS guitar / brass
/ vocals / melodica / etc
founder member of The Higsons, multi instrumentalist to the stars
JEM MOORE bass guitar / vocals
lynch pin of Serious Drinking; obvious choice for the job due to talent
for incisive lyrics and unnatural bass lines
IAN R. WATSON guitar / trumpet
cut his teeth with Manchesters The Negatives, moved into midfield
with The Higsons and has worked with Slab, Daisy Chainsaw, Julian
Cope, Gallon Drunk and Test Department
IAN WHITE drums
formerly of pub-funk band Swordfish!, rescued by The Scapegoats and
most recently suave sticksman for Gallon Drunk as well as The Scapegoats
Its quite a C.V. The man has played with
Julian Cope, Nick Cave, The Jesus and Mary Chain, Drugstore, Barry
Adamson, Spiritualized, Moonshake, Lush, Billy Bragg, Tindersticks
(for whom he also arranged), Frank & Walters (and them), 18
Wheeler (them too) and of course Gallon Drunk. The former member
of The Higsons and co-founder of Butterfield 8 (with ex-Madness
bass player Mark Bedford) has certainly paid his dues. And so it
is that TERRY EDWARDS (&THE SCAPEGOATS) found themselves on
Wiiija Records.
The Scapegoats debut 7 release, Harlem Nocturne,
for the label was a fascinating collage of their different styles,
neatly showcasing the strength of their material in a striking stopgap
between their last album (My Wife Doesnt Understand
Me) and the album released on Wiiija, I Didnt
Get Where I Am Today. The LP features Terrys stunning
instrumental capabilities and highlights his unique perspective
on recent pop history clashing with historical stylistic references
from ol jazz n blues n rock n
roll stuff. You want a runthrough A to Z of popular music - start
with Terry Edwards and move on from there. From crowd pleaser King
Of The Cheap Thing to hot single Boots Off! (the
best way to frug nowadays as any fule no) through title of the year
I Like My Low-Life Low to classic I Didnt
Get Where I Am Today. Imagine Dexys Midnight Runners,
James Blood Ulmer, The Clash and Black Sabbath playing at the same
time with Duke Ellington and Lee Perry at the controls and you start
to get the picture.
But then again, this playful nature should come as no surprise to
anyone who ever heard his previous interpretations of tracks by
diverse artists as The Jesus & Mary Chain, Miles Davis, The
Fall, Blur and The Sex Pistols. And his unique skills as a multi
instrumentalist and the fluency of The Scapegoats will no doubt
show you quite clearly why TERRY EDWARDS & THE SCAPEGOATS should
step from out of the shadow of those who they have worked with and
into a smoky limelight all of their own.
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